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2012
| Conferences (Unpublished) | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Cindy Wang | Conference on Kansei Engineering and Emotion Research (KEER) | Penghu, Taiwan |
| Cindy Wang | International Culture and Creative Conference | National Taiwan Normal University, Taipei, Taiwan |
| Cindy Wang | “The Most Beautiful Book in the World Exhibition” – Invited Speaker | URS21 Chung Shan Creative Hub, Taipei, Taiwan |
| Danne Ojeda | “Perspectives on Artistic Research and Academia. Art and Research Methodologies” | Royal Academy of Fine Arts, The Hague, The Netherlands |
| Danne Ojeda | “Self-reflexivity and Self-analysis as Research Methodologies: Psychoanalytic and Group Relations Models” | Royal Academy of Fine Arts, The Hague, The Netherlands |
| Danne Ojeda | “Historicity, Locality and Agency in Contemporary Art Practices” | Royal Academy of Fine Arts, The Hague, The Netherlands |
| Hans-Martin Rall | “Die interaktive Infografik als hybride Darstellungsform im Online-Journalismus. Hybridisierung und Differenzierung. Kontrastive Perspektiven linguistischer Medienanalyse” – Co-author with Wibke Weber | Internationale Tagung zur kontrastiven Medienlinguistik; Zürich, Switzerland |
| Hans-Martin Rall | “Data Visualization in Online Journalism and Its Implications for the Production Process” – Co-author with Wibke Weber | 16th International Conference on Information Visualisation (IV); Montpellier, France |
| Hans-Martin Rall | “Between Data Visualization and Visual Storytelling: the Interactive Information Graphic as a Hybrid Form” – Co-author with Wibke Weber | ICA Annual Conference: Communication and Community; Phoenix, Arizona, USA |
| Hans-Martin Rall | “Interactive Information Graphics and Comics – the Future of a Dynamic Relationship” – Co-author with Wibke Weber | Information Design Conference 2012; London, UK |
| Hans-Martin Rall | “Animation for ‘Dance of the Shadows-A Hommage to Lotte Reiniger’” | PopCAANZ 2012 Conference; Langham Hotel, Melbourne, Australia |
| Heitor Capuzzo | “Drawing Sound: From Rudolph Pfenninger to Norman McLaren” | International Symposium on Visual Music; Centre for Asian Art & Design, NTU CAAD/ADM, Singapore |
| Ina Chavez | “Research Overview, 3D Stereo Animated Films” | Department of Animated Film Making Program at Gobelins, l'Ecole de l'Image, Paris |
| Ina Chavez | “Art Works, Singapore” | International Symposium on Visual Music; Centre for Asian Art & Design (CAAD), NTU ADM, Singapore |
| Jesvin Yeo | “Exploring Transnational Collaborative Learning in Design Disciplines” | Geographics: AIGA Design, Education and the Transnational Terrain; The East-West Center and the University of Hawaii, Manoa Honolulu, Hawaii, USA |
| Jesvin Yeo | “Recording Verbal Tradition through Visual Media” | NODEM 2012 – Future Culture: [In]tangible Heritage, Cross Media Special Session: Archiving and Visualization of Intangible Heritage; Run Run Shaw Creative Media Centre, Hong Kong, China |
| Jesvin Yeo | “Typography Theory & Artist’s Book Structure” | Doverodde Book Arts Festival IV & Symposium; Book Arts Center, Doverodde, Denmark |
| Joan Kelly | “Zones of Contact: Public Art and Activism” | Plan Ordenamiento Territorial Kassel, Germany |
| Louis-Philippe Demers | “Perception and Reception of Machine Performances” | Softcontrol; Maribor, Slovenia |
| Louis-Philippe Demers | “Robots on the Stage” – Keynote | Synergia Workshop; Tsinghua University, Beijing, China |
| Louis-Philippe Demers | “Robotics and Performing Arts: Reciprocal Influences” – Keynote | ICRA; St-Paul, USA |
| Michael Tan | “More Than Just An Activity: Learning, Bonding and Self Actualisation with Creative Paper Clay for Individuals Affected by Parkinson's Disease” – Presenter | 4th Annual International Arts and Health Conference; The University of Notre Dame, Fremantle WA, Australia |
| Michael Tan | “Art and Health: A Global View Discussion Panel” – Invited Panelist | 23rd Annual International Conference of the Society for the Arts in Healthcare; Detroit, USA |
| Michael Tan | “Expanding culture of Care: Arts in Healthcare in Singapore” – Presenter | 23rd Annual International Conference of the Society for the Arts in Healthcare; Detroit, USA |
| Michael Walsh | “Protecting Famagusta” – Invited | World Monuments Fund, New York |
| Michael Walsh | “Remembering Famagusta” – Invited | Flinders University, Australia |
| Michael Walsh | “Historic Famagusta: Past, Present and Future” – Invited | University of Bern, Switzerland |
| Michael Walsh | “Your Walk to Freedom” | Music, Metal and Politics; Prague |
| Michael Walsh | “Deals, Ideals, Sects and Assimilation: The Elixir of co-existence in pre-Ottoman Famagusta” | Mediterranean Worlds Conference; Istanbul |
| Michael Walsh | “‘The tongues of every nation under heaven’: Evidence of Multiculturalism / Interculturalism in Medieval Famagusta” | Cypriot Identities Across Millennia; University of Nicosia |
| Michael Walsh | “Visualising Famagusta: The Virtual Archaeology of the Orthodox Cathedral of Saint George of the Greeks in Famagusta, Cyprus” – With Sven Norris and Thomas Kaffenberger | Nanaynag Technological University |
| Michael Walsh | “‘Othello’, ‘Turning Turk’ and Cornelis de Bruyn’s Copperplate of the Ottoman Port of Famagusta in the Seventeenth Century” | Central European University, Budapest |
| Michael Walsh | “Imag(in)ing Heritage: Conservation, Visualization, Education and Reconciliation as a ‘Creative Industry’” | Global Education Dialogues: The Asia Series; British Council, Singapore |
| Michael Walsh | “Saving the forgotten Frescoes of Famagusta” – Invited | World Monuments Fund, New York |
| Michael Walsh | “Environments of Memory: Interpreting and Protecting the Art and Architecture of Famagusta” – Invited | University of Pennsylvania |
| Michael Walsh | “Visualizing Famagusta” – Invited | Duke University |
| Peer Sathikh | “Culture Catalyst for Teaching Design” | DRS 2012; Bangkok, Thailand |
| PerMagnus Lindborg | “TimeTravel Tune Installation” and “Graviton Dance” – Featured Composer | WOCMAT; Taiwan, http://web.it.nctu.edu.tw/~eamusic/wocmat2012 |
| Peter Chen | Pingyao International Photography Festival 2012 – Invited Speaker | Pingyao, China |
| Peter Chen | “Urban Apologies: Perspectives from the Ideal City” – Invited Speaker | URA Atrium Gallery |
| Peter Chen | “Perspectives from the Ideal City” – Selected Speaker | Still Architecture Conference; University of Cambridge, Centre for Research in the Arts, Social Sciences and Humanities |
| Ruben de la Nuez | “Inside the Digital Egg: The Relocation of Abstract Art in the Immersive Environment” | 7th Global Conference: Cybercultures; Charles University, Prague, Czech Republic |
| Soon-Hwa Oh | “The Limits of Photography in Digital Age” (Academic Symposium) | Singapore International Photo Festival |
| Soon-Hwa Oh | Floor Talk | Pingyao International Photography Festival; Pingyao, China |
| Soon-Hwa Oh | Photographic Education For Future Conference: Photographic Practice as Research | Beijing Film Academy, Beijing, China |
| Soon-Hwa Oh | “Thinking with a Camera” | Central Academy of Fine Arts, Beijing, China |
| Soon-Hwa Oh | “On Preparing Your Portfolio” | Singapore International Photography Festival |
| Sujatha Meegama | “Praying on the Roadside: Patrons, Artisans, and Rituals at Roadside Shrines to Ganesha in Northern Sri Lanka” | Wisconsin-Madison 41st Annual Conference on South Asia |
| Vibeke Sorensen | “Global Pixels: Multiculturalism in Computer Graphics” – Keynote Speech | ICASCE 2012; Bina Nusantara University, Jakarta, Indonesia |
| Vibeke Sorensen | “3D and Multidimensional Dreams” – Keynote Speech | First International Symposium: 3D and BEYOND; ZKM Karlsruhe, Germany |
| Vibeke Sorensen | “Global Eyes” – Keynote Speech | ACM SIGGRAPH Distinguished Speaker; Bina Nusantara University, Jakarta, Indonesia |
| Workshops | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Cindy Wang | “The Most Beautiful Book in The World” | URS21 Chung San Creative Hub, Taipei, Taiwan |
| Hans-Martin Rall | “Research & Storytelling – New Ways in Script Development” | Festival of Animated Film Stuttgart; Germany |
| Jesvin Yeo | “百年福建人建筑：古典装饰与现代的对话” | SSAS-NLB talk series 2012; National Library of Singapore, Singapore |
| Joan Kelly | Figure Painting and Drawing in Bali | Singapore Art Museum |
| Nanci Takeyama | Co-facilitator with Peer Sathikh | Design Thinking Workshop; Ngee Ann Polytechnic, Singapore |
| Nanci Takeyama | Facilitator to Logistics and Administrative Staff | Design Thinking Workshop; Empresa Brasileira de Aeronautica (EMBRAER), Singapore |
| Nanci Takeyama | Workshop on Cosmic Serpent Meaning in Laotian Textiles given to Weavers | Collaborative Design Workshop; Hong Vocational Training Centre for Women (Laos) |
| Sujatha Meegama | “Patterns of Patronage and Artisan Workshops in Medieval Sri Lanka” | Historical Interpretations; Organized by the American Institute for Sri Lankan Studies, Colombo, Sri Lanka |
| Vladimir Todorovic | “Fluid Boundaries” | Crossing Borders 2012; Paju Book City, South Korea |
| Vladimir Todorovic | “Fluid Boundaries” – With Daniel Rudi Haryanto and Jeung Hyun Mun | Asian Network of Documentary, Busan International Film Festival; South Korea |
| Creative Publications | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Astrid Kensinger | “A Walk is More Than This Poster” | KoCon 2012 Spring International Digital Design Invitation Exhibition, Vol. 8, No. 1; Kangwon National University, Korea |
| Chen-Hsi Wong | “In Contro la Regista di Innocents Chen-Hsi Wong” (Radio Interview) | Fred Film Radio |
| Cindy Wang | “What a Beautiful Day/Schedule Book” | BusinessToday Magazine |
| Cindy Wang | Year Book for GOOD DESIGN AWARD | USA |
| Cindy Wang | HKDC Awards Book | Hong Kong |
| Cindy Wang | Gnfm 90.9 Radio | Taiwan |
| Cindy Wang | Creative of Chinese Character Arts 漢字創藝 | National Palace Museum_Chinese Character Design Week 國立故宮博物院漢字文化設計週; National Taiwan Normal University, Taiwan |
| Cindy Wang | “Contribution to Zones of Contact” (Art Catalogue) | By Joan Kelly; ISBN 978-981-07-1843-5 |
| Cindy Wang | Contribution to “DesignDirect” (Design Business Book) | By Roger Ball; Hong Kong, ISBN 978-988-15831-1-6 |
| Hans-Martin Rall | “Fairy Tale illustrations” and “Good Night Story illustrations” | Bussi Bär |
| Hans-Martin Rall | “Interview with Hannes Rall in: ‘Lotte Reiniger – Dance of the Shadows’” | ARTE TV; Festival of Animated Film Stuttgart, Germany |
| Jesvin Yeo | “Logos of Botanicascent Logo and Lee Kim” | Logo 3, pp. 71, 298; Berlin: Zeixs Publishing |
| Jesvin Yeo | “Beyond typography” | Graphic Design 3, pp. 328–329, 426–427; Berlin: Zeixs Publishing |
| Jesvin Yeo | “Choi! Touchwood!” | Best of Show; HOW Magazine, p. 68 |
| Jesvin Yeo | “Choi! Touchwood!” | Eastern lights; Wallpaper*, pp. 102–106 |
| Jesvin Yeo | Interview with Jesvin Yeo, designer of Chinatown Visitor Centre | Channel NewsAsia, Singapore |
| Jesvin Yeo | Interview with Jesvin Yeo, designer of Chinatown Visitor Centre | Channel 8, Singapore |
| Jesvin Yeo | Interview with Jesvin Yeo, designer of Chinatown Visitor Centre | Channel U, Singapore |
| Jesvin Yeo | Interview with Jesvin Yeo, designer of Chinatown Visitor Centre | Patroids Creative Works; Chinatown Visitor Centre, Singapore |
| Joan Kelly | Artwork Publication | 1st Ecorea Jeonbuk International Art Biennale, pp. 11, 27, 31, 90, 267; ISBN: 978-89-94512-10-5, Korea |
| Joan Kelly | Artwork Publication | The Album of the Fifth Beijing International Art Biennale, p. 84; China Peoples Fine Art Publishing House |
| Joan Kelly | Artwork Publication | 1st Biennale Internationale Casablanca, p. 27; Morocco |
| Joan Kelly | Artwork Publication – USA representative | Beyond Borders, 2012 Exhibition of International DMZ Outdoor Installation, p. 52, Korea |
| Joan Kelly | “Women” – Cover photograph | Curator: Anvita Singh; Ahuja, Museum for the Arts, Kolkata, India |
| Joan Kelly | Artwork Publication | Biennale D’Arte Internationale Di Roma, Sale del Bramante, p. 107; Centro Internazionale Artisti Contemporanei (CIAC), Italy |
| Michael Walsh | “The Forty: Saving the Forgotten Frescos of Famagusta” (A Film Featuring My Work) | WMF |
| Nanci Takeyama | Art Direction and Content Creation for Website | www.designfor.co |
| Soon-Hwa Oh | Exhibition Catalogue | Doors Art Fair, Seoul, South Korea |
| Soon-Hwa Oh | Exhibition Catalogue | Pingyao International Photography Festival: Exceeding and Returning; China |
| Research Services | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Benjamin Slater | “Circle Lines: New Creative Writing” – Co-editor with Tze Chien Chong & Kaylene Tan | National Arts Council of Singapore |
| Benjamin Slater | “Love Letters” (Special Issue)– Co-editor with May Adadol and Alexis Tioseco | Criticine 6 |
| Danne Ojeda | Program Committee Member | Aducation Council Crowbar; The Association of Accredited Advertising Agents (4As), Singapore |
| Hans-Martin Rall | “Electronic Theatre” (Animation Competition) – Pre-Selection Jury Member | SIGGRAPH Asia 2012; Singapore |
| Heitor Capuzzo | Official Jury – Member | The Stuttgart Festival of Animated Film (ITFS); Stuttgart, Germany |
| Heitor Capuzzo | “Best of Animation” – Curator | The Stuttgart Festival of Animated Film (ITFS); Stuttgart, Germany |
| Ina Chavez | Member | ACM Association for Computing Machinery |
| Ina Chavez | Member | The Design Society Singapore |
| Jesvin Yeo | Associate Editor | Design Principles and Practices: An International Journal |
| Jesvin Yeo | Conference Reviewer | DesignEd Asia Conference 2012; Hong Kong, China |
| Joan Kelly | Curator / Vice Director | 1st Ecorea Jeonbuk Biennale; Jeonbuk, Korea |
| Joan Kelly | Curator | Projekt30 Digital Gallery Exhibition |
| Louis-Philippe Demers | Reviewer | International Journal of Social Robotics |
| Louis-Philippe Demers | R&D Grant Program – Jury | Hexagram / CINQ |
| Michael Tan | “National Arts Council Silver Arts Exhibition” – Invited Curator | National Library Concourse, Singapore |
| Michael Tan | Member of Board of Directors | Society for the Arts in Healthcare, USA |
| Michael Walsh | “‘And this island, who knows it’?: Cypriot identity across the millennia” – Organiser | In Collaboration with the University of Nicosia |
| Michael Walsh | “Famagusta: A Millennium in Words and Images” – Organiser | In Collaboration with Central European University, Budapest |
| Peggy Poo-Pun | Member | World Scientific and Engineering Academy and Society |
| Soon-Hwa Oh | Judge | Montage Photography Competition |
| Soon-Hwa Oh | “Contemporary Chinese Photography”, Wong Chuan, Vice-Dean | Central Academy of Fine Arts, Beijing, China |
| Sujatha Meegama | “Mural Paintings, War Imagery, and Roadside Shrines: War and Visual Culture in Sri Lanka Part 1” and “Dance Practice, Rap Performance, and Film Aesthetics: War and Visual Culture in Sri Lanka Part 2” – Organiser | 41st Annual Conference on South Asia; Wisconsin-Madison, USA |
| Vibeke Sorensen | International Program Committee | Information Visualization Conference, Symposium on Visualization, Art, and Design; Montpellier, France |
| Woon Lam Ng | “Anne Lim's Solo Exhibition” – Curator | Nanman Art Gallery, Singapore |
| Woon Lam Ng | Selection Committee Panel | Singapore Watercolour Society |
| Professional Work | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Chen-Hsi Wong | “Open City at the Smell” – Director and Producer | Artfunkl Manchester Open Studio, Manchester, UK |
| Chen-Hsi Wong | “Imagemakers – Tay Kay Chin” – Commissioned Work by Noted Film and Photography Organisation Objectifs | Singapore International Photography Festival; Singapore, http://www.sipf.sg |
| Hans-Martin Rall | “Lotte Reiniger – Dance of the Shadows” – Director and Producer | Sponsored by the State of Baden-Württemberg and the MFG Baden Württemberg |
| Jeffrey Hong | “MCCU (Multi Camera Charging Unit)” – Co-designer with Peter Chen | NA |
| Jeffrey Hong | “Milk Whisk” | 3D pattern design for ISIS UK Ltd |
| Jesvin Yeo | Lim Kee Brand – Designed logo, signage, packaging, stall | Branding system and design based on narratives for a hawker stall |
| Jesvin Yeo | Chinatown Visitor Centre – Designed architecture concept and uniform for service personnel | NA |
| Jesvin Yeo | “The Bean Pillow” | Bespoke, bean-sprout husk infill, cotton |
| Jesvin Yeo | Tote Bag Design | Three designs corresponding with Trengganu Street, Pagoda Street, and Bukit Pasoh Road |
| Jesvin Yeo | “Eight Drag•on” | Artist Book; Printed on brown card, handmade paper, thread-binding, 450 x 400 mm |
| Jesvin Yeo | “All design is but a way of seeing” | Notebook; Craft card, newsprint, stitched, 210 x 147 x 20 mm |
| Jesvin Yeo | “Chinese Million Dollar Club”, “Hokkien Clan”, and “Street Market” | Notebook Design with photography and illustration; 210 x 150 x 20mm |
| Joan Kelly | “Daybreak” (Painting, Oil on Canvas), “Morning Conch Washed In Sand”, and “Polished Stones at Dusk” – Commissioned | Centre d’Art Contemporain Essaouira, Morocco, Mostapha Romni |
| Joan Kelly | “Bio Herb Plus Mountain”, “Natures Warning: Memory and Uncertainty”, and “‘Eternal Eye’ Sculpture” – Commissioned | Boakam International Art Museum, Wanju, Korea |
| Kathrin Albers | Campaign Designer and Set Builder | International Toy Fair Nuremberg |
| Marijke Van Kets | “Weekend aan Zee” – Director of Photography | Director: Ilse Somers; Long feature film |
| Meridel Rubenstein | “Eden Again” – Collaborative Land Art Commission | International Symposium on Electronic Arts (ISEA), Albuquerque, New Mexico |
| Nanci Takeyama | Art Direction for Branding and Packaging | Tea house Social Business ‘Reaching Out’; Vietnam |
| Nanci Takeyama | Art Direction and Design | Lotus collection for Social Business ‘Reaching Out’; Vietnam |
| Nanci Takeyama | Art Direction and Design | Conference on Applied Design Thinking Identity |
| Nanci Takeyama | Art Direction of Brand Identity | design for |
| Peer Sathikh | ST Electronics Ltd. – Human Factors and Industrial Design Consultant | Operations Control Centre for the Chennai Metro Project; India |
| Peer Sathikh | ST Electronics Ltd. – Human Interface Consultant | Operations Room for the National Environmental Agency; Singapore |
| Peter Chen | “UnPlanned House” | Design, development and construction of a single family dwelling |
| Vibeke Sorensen | “Message to Nature” (3D Visualization, Poetry and Biochemistry) | The Phrase “Genesis is Life and Creativity, Science and Art Dreaming” was Translated into the Protein Code of a Plant Antenna Protein, and Reshaped as a Fragment of the Photosynthetic Protein using Protein Visualization Techniques |
| Vibeke Sorensen | “Green Space, Version 2” | Stereoscopic HD 3D computer animation, photography, kinestasis |
| Critical Writings | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Benjamin Slater | “Ghost Stories: Searching for the Black Isle in Singapore” – Author | Poskod.sg; http://poskod.sg/Posts/2012/9/10/Ghost-Stories |
| Benjamin Slater | “You Can Never Go Home” (Reflections on Nostalgia in the Work of Royston Tan) – Author | Criticine 6; http://criticine.com/feature_article.php?id=56 |
| Benjamin Slater | “The Wit’s End Story” – Author | Sporeana; http://sporeana.blogspot.sg/2012/05/wits-end-story.html |
| Chen-Hsi Wong | “Innocents” (Review) | By Lorenzo Bottini; Cinema Bendatto |
| Chen-Hsi Wong | “Innocents” (Review) | By Derek Elley; Film Business Asia |
| Chen-Hsi Wong | “La Purezza di un’amicizia” (Review) | By Silvia Preziosi; Supergacinema |
| Chen-Hsi Wong | “Innocents” (Review) | By Lorenzo Vincenti; Close Up – Storie della Visione |
| Cindy Wang | “What a Beautiful Day!” (Schedule Book) | BusinessToday Magazine; Taiwan |
| Danne Ojeda | “The Path to Modernity” (Case Study) | Dominie Press: The Showcase; http://www.dominie.com.sg/casestudies_02.html |
| Hans-Martin Rall | “TRAILER: ‘The Cold Heart’ By Hannes Rall” – Online Review | By Amid Amidi; http://www.cartoonbrew.com/shorts/trailer-the-cold-heart-by-hannes-rall-66837.html |
| Heitor Capuzzo | “Best of Animation” | The Stuttgart Festival of Animated Film (ITFS); Stuttgart, DE |
| Jesvin Yeo | “Bringing Traditional Crafts to London” | By Chow Yian Ping; Lianhe ZaoBao, zbNOW, pp. 1, 3, Singapore |
| Jesvin Yeo | “Getting a real taste of old S’pore” | By Ng Kailing; The Sunday Times, p. 9, Singapore |
| Jesvin Yeo | “Design for Asia Awards 2012” | Wallpaper*; http://www.wallpaper.com/design/design-for-asia-awards-2012/6227#73020 |
| Jesvin Yeo | “Unrealized Project by Jesvin Yeo” | e-flux; http://e-flux.com/aup/project/jesvin-yeo/ |
| Jesvin Yeo | “Mail Art Makes the World a Town” | By Cheryl Penn; http://cherylpenn.com/wpb/?p=1769 |
| Jesvin Yeo | “On the margins?” | By Mette-Sofie D. Ambeck; Book Arts Newsletter, No. 75, p. 30, Impact Press at the Centre for Fine Print Research |
| Jesvin Yeo | “One of my favourite practitioners: Jesvin Yeo” | By Emma, J. Courtney; Kingston University, http://courtneygraphicdesign.blogspot.sg/2012/09/one-of-my-favouritepractitioners_9473.html |
| Jesvin Yeo | “Lost Arts of The Republic of Singapore” | By Su-Jin Ng; http://kidcucumber.org/Lost-art-of-The-Republic-of-Singapore |
| Meridel Rubenstein | ISEA 2012 Albuquerque: Machine Wilderness | Radius Books, p. 82 |
| Meridel Rubenstein | Shapeshifting: Transformations in Native American Art | Karen Kramer Russell (Ed.); Peabody Essex Museum, Salem, Massachusetts, p.35 |
| Vibeke Sorensen | “The Postmodern Beauty of Fractals” | By Mehrdad Garousi; ISAST Leonardo, Vol. 34, No. 1, pp. 26–32, MIT Press |
| Vibeke Sorensen | “Half-Baked: The State of Evaluation in the Digital Humanities” | By Tanya E. Clement; Oxford Journals, American Literary History, Volume 24, Issue 4, p. 887, Oxford University Press, http://alh.oxfordjournals.org/content/24/4/876.full |
| Vladimir Todorovic | “VIDEO ART IN SERBIA: Experimental-processual Paradigm” | By Sanja Kojic Mladenov; http://www.e-arhiv.org/video-turn/wp-content/uploads/2012/11/msuv3.pdf |