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2011
| Journals | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Benjamin Slater | “Cinq Gars du Singapour” | Cinematheque Quarterly, Vol. 1, No. 1; National Heritage Board, Singapore, ISSN22512994 |
| Hans-Martin Rall | “Tradigital Mythmaking–New Asian Design Ideas for Animation” | Animation Studies 2011, Vol. 6; Peer-reviewed journal of the Society of Animation Studies |
| Ina Chavez | “Art At the Edges of Materiality” | Journal on Multimodal User Interfaces Vol. 4 & 5, Issues 1 & 2, pp. 69–75; DOI: 10.1007/s 12193-011-0074-4 |
| Jesvin Yeo | “Beyond Typography – Experiments in form” | Design Principles and Practices: An International Journal, Volume 5, Issue 6, pp. 273–284 |
| Joan Kelly | “The Development of Advanced Based Virtual learning RISC Microcontroller (AVR) Subject in Engineering” | Journal Penelitian Pascasarjana Undiksha, Vol. 3; A.A. Gde.Ekayana, Naswan Suharsono, Made Tegeh |
| Kenneth Feinstein | “Telegeneric Realities” | The International Journal of the Image, Vol. 1, No. 1; Urbana-Champaign, USA |
| Peggy Poo-Pun | “Communication as a Cognitive Tool in Visual Learning” | International Journal of Education & Information Technologies, NAUN, Issue 1, Vol. 5, pp. 96–104; ISSN 2074-1316 |
| Conference Papers | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Ina Chavez | “The Undiscovered Country: The Art of Pictorial 3-D Stereo Animation” | International Conference on Cyberworlds, pp. 181–188; ISBN: 978-0-7695-4467-0, Canada |
| Ina Chavez | “Stereo Animated Pictorial Space: Le PhénomèneAtmosphérique” | 17th International Symposium on Electronic Art (ISEA); Istanbul |
| Ina Chavez | “Visual Resonance: Fine Art and 3D Stereo Pictoriality” | Ebad Banissi and Muhammad Sarfraz (Eds.). Eight International Conference, on Computer Graphics, Imaging and Visualization (CGIV), pp. 25–32; DOI: 10.1109/CGIV.2011.30, ISBN: 978-0-7695-4484-7, IEEE Computer Society Washington, USA |
| Ina Chavez | “Reassessment of Painting: Fine Art Painting and Experimental Computer Animation” – Co-author with Khoo Yi Hui | URECA Yearbook 2010 Proceedings of the URECA@NTU 2009-10, pp. 1484–1489; Singapore |
| Ina Chavez | “Digital Imaging: Anatomy of 3rd Dimension” – Co-author with Tan Cheng Quan | URECA Yearbook 2010 Proceedings of the URECA@NTU 2009-10, pp. 31; Singapore |
| Ina Chavez | “Digital Imaging: Anatomy of 3rd Dimension” – Co-author with Tan Cheng Quan | URECA Yearbook 2010 Proceedings of the URECA@NTU 2009-10, pp. 1526–1532; Singapore |
| Ina Chavez | “Reassessment of Painting: Fine Art Painting and Experimental Computer Animation” – Co-author with Khoo Yi Hui | URECA Yearbook 2010 Proceedings of the URECA@NTU 2009-10, pp. 1484–1489; Singapore |
| Jesvin Yeo | “Just Type – A Multichannel Platform for Experimental Typefaces” | Proceedings of ISEA 2011 Istanbul (Online); Turkey, Istanbul |
| Jesvin Yeo | “The Last Flower: Transforming Inner Feelings into Innovation Solutions” | Proceedings of the 2011 International Design Alliance (IDA) Congress, pp. 200–207; Taipei, Taiwan |
| Peggy Poo-Pun | “Creative Thinking in Design through Collaborative Learning” – Invited paper | The 8th International Conference on Engineering Education (EDUCATION ’11) Proceedings, pp. 110–115; Corfu Island, Greece, ISBN 978-1-61804-021-3 |
| PerMagnus Lindborg | “The Canopy” – Jury Selection of Artwork and Article | ICMC; University of Huddersfield Studio One, UK, http://hdl.handle.net/2027/spo.bbp2372.2011.014 |
| Soon-Hwa Oh | “Girls from Mekong Delta”: Visual Art Practices Stream | The 6th International Conference on the Arts in Society; Berlin, Germany |
| Soon-Hwa Oh | “Roles of Teaching in Research in the case of four Academic Artists” | New Asian Imaginations: Research the Arts in Southeast Asia; Nanyang Fine Art Academy, Singapore |
| Woon Lam Ng | Journal for Conference Panel Discussion | 23rd Annual Show and Conference 2011; Asia Watercolour Alliance, Kunming, China |
| Books | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Cindy Wang | “Note/Book 2_4 Series” | Garden City Publishers |
| Hans-Martin Rall | “Tradigital Mythmaking – Singaporean Animation for the 21st Century” | Saarbruecken, Lambert Academic Publishing; ISBN: 978-3-8433-7323-4 |
| Michael Walsh | “Runaway Dreams: The Story of Mama's Boys and Celtus” | Walsh, M.; Kennedy & Boyd |
| Woon Lam Ng | “Live & Alive” – Author | Ng Woon Lam Watercolor & Oil Painting 2011; ISBN 978-981-07-0160-4 |
| Chapters | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Hans-Martin Rall | “Der Trickfilm “Das kalte Herz [The animated movie: “The Cold Heart]” | Stamer, B., and Hauff, W. (2011). Texte.Medien: Wilhelm Hauff: Das kalte Herz: Textausgabe mit Materialien, pp. 153–155; Schroedel Verlag Braunschweig, ISBN-13: 9783507474314, ISBN-10: 350747431X |
| Heitor Capuzzo | “Os tempos eram assim” | Escola de Teatro da Fundação das Artes de São Caetano do Sul; Alpharrabio, São Paulo |
| Heitor Capuzzo | “Imagens do ABC em movimento” | Escola de Teatro da Fundação das Artes de São Caetano do Sul; Alpharrabio, São Paulo |
| Heitor Capuzzo | “O cinema da cumplicidade” | Alfred Hitchcock; Centro Cultural Banco do Brasil, Rio de Janeiro |
| Ina Chavez | “Digital Media and Quest for Spiritual in Art” | Gianluca Mura (Ed.). Metaplasticity in Virtual World: Aesthetic and Semantic Concepts, pp. 223–235; DOI: 10.4018/978-1-60960-077-8, ISBN13: 9781609600778 |
| Michael Walsh | “Regionalism, Nationalism and Other Pyrrhic Victories in the Time of Globalization” | Knowledge Differences and Identity in the Time of Globalization: Institutional Discourse and Practices; Cambridge Scholars Press |
| Nanci Takeyama | “The Stupa, its Shape and Meaning in the Silk Road” | Archi-cultural translations through the Silk road (selected papers), pp. 144–153; Bahcesehir University Press, Turkey, ISBN: 978-605-5461-13-3 |
| Vibeke Sorensen | “Rewiring Culture, the Brain, and Digital Media” | Bartscherer, T. and Coover, R. (Eds.). Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts; University of Chicago Press |
| Articles | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Heitor Capuzzo | “O que dá pra rir, dá pra chorar...” | CESA - Scientific Society for Art Studies, São Paulo |
| Louis-Philippe Demers | “Schizoid Ontologies of Cybernetic Lures” – Co-author with Vorn, B. | Sara Diamond and Sarah Cook (Eds.). Euphoria / Dystopia: The Banff New Media Institute Dialogues; The Banff Centre Press/Riverside Architectural Press |
| Louis-Philippe Demers | “Machine Performers: Between the Agentic and the Automatic” | Martina Leeker (Ed.). Entfesselte technische Objekte: Zum zeitgenössischen Verhältnis von Mensch und Technik in der Kunst |
| Michael Tan | “Discovering Clay, Enriching Lives” | Parkinson's News; Parkinson's Disease Society Singapore |
| Ruben de la Nuez | “Ideología y estética: La cita arquitectónica en el arte contemporáneo” | Sociedades en crisis: Europa y el concepto de estética; Ministerio de Cultura and Universidad Autónoma, Madrid |