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2015
| Journals | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “Linguistic Contact in Prehistoric Italy: At The Origins of the Place Name” – Co-author with Francesco Perono Cacciafoco | Names: A Journal of Onomastics, 63(3), pp. 158–170; DOI: http://dx.doi.org/10.1179/0027773815Z.000000000111 |
| Andrea Nanetti | “Maps as Knowledge Aggregators: from Renaissance Italy Fra Mauro to Web Search Engines” | The Cartographic Journal, 52(2), pp. 159–167; DOI: http://dx.doi.org/10.1080/00087041.2015.1119472 |
| Ina Chavez | “War Poems: A Transgression of Objective and Linear Imagery Towards the Avant-garde in Animation” | TechArt: Journal of Arts and Imaging Science, No. 1, Vol. 2, pp. 14–22; http://thetechart.org/default/img/articles/201501/3Ina.pdf |
| Laura Longo | “New Findings About Gravettian Technologies for Plant Processing: Paglicci and Dolni Vestonice” – Co-author (2nd) | Quaternary International, Vol. 359–360, pp. 77–88; http://dx.doi.org/10.1016/j.quaint.2014.09.066, IF: 2.062 |
| Laura Longo | “Territorial Exploitation in the Tyrrhenian Gravettian Italy: The Case-study of Bilancino (Tuscany)” – Co-author (6th) | Quaternary International, Vol. 359–360, pp. 442–451; http://dx.doi.org/10.1016/j.quaint.2014.07.009, IF: 2.062 |
| Laura Longo | “Simbology and Technology During the Gravettian: Paglicci Burials II and III (Rignano Garganico – Foggia – Southern Italy)” – Co-author (3rd) | Quaternary International, Vol. 359–360, pp. 423–441; http://dx.doi.org/10.1016/j.quaint.2014.08.038, IF: 2.062 |
| Louis-Philippe Demers | “Evaluating User Preference and Perception Between a Mechanoid and a Humanoid in an Art Context” – Co-author with Vlachos, E. and Jochum, E. | Interaction Studies; John Benjamins Publishing Company |
| Lucy Davis | “Multiple Arborealities: Tracing Tales of Teak” | Chew, S. (Ed.). 'Translating Southeast Asia', Moving Worlds: A Journal of Transcultural Writings, pp. 15–33, 15:1; University of Leeds, UK/Nanyang Technological University, Singapore |
| PerMagnus Lindborg | “Colour Association with Music Is Mediated by Emotion…” | PLoS ONE; http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0144013 |
| Ute Meta | “Guggenheim Museum’s Asian Art Council Meeting. Roundtable 1: China and the World” | Keith Wallace (Ed.). Yishu. Journal of Contemporary Chinese Art, p. 34; Vancouver, Canada |
| Conference Papers | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “Web-Based Automatic Narratives for Interactive Global Histories. The Maritime Silk Roads 1205–1533” – Co-author with Cheong Siew Ann | Proceedings of the 22nd International Quinquennial Congress of Historical Sciences, pp. 1–7; Shandong, Jinan, China |
| Andrea Nanetti | “Sharing our Heritage to Shape our Future. How Effective Are Multi-User Sharing Platforms in Supporting Collaborative Visioning for the Future, and Why is Heritage Centre-Stage?” – Co-author with Anna Simpson | SOTICS 2015: The Fifth International Conference on Social Media Technologies, Communication, and Informatics, pp. 82–90, ISSN: 2326-9294, ISBN: 978-1-61208-443-5; Barcelona, Spain, http://www.thinkmind.org/index.php?view=article&articleid=sotics_2015_4_20_60070 |
| Andrea Nanetti | “Enhancement with GIS: 'La Casa de la Llum' of Xàtiva” – Co-author with Juan José Alcayna Orts and Pablo Vidal Fontiveros | ReUSO 2015: Proceedings of the 3rd International Conference on documentation, conservation and restoration of the architectural heritage and landscape protection, pp. 667–674, ISBN: 978-84-9048-386-2; Valencia, Spain, https://riunet.upv.es/handle/10251/56060 |
| Elke Reinhuber | “Augmented Reality as a Tool to Access Media Art Archives” | VSMM, School for Creative Media, CityU, Hong Kong |
| Elke Reinhuber | “Augmented Reality” | VSMM 2014, IEEE 2015 |
| Galina Mihaleva | “Wearable Technology: Transformations and Traditions: Technology, Knowledge & Society” | Fashion Tales 2015; Milan, Italy |
| Galina Mihaleva | “Re-flux” – Co-author with Zanotello, L. | Adjunct Proceedings of the 2015 ACM International Joint Conference on Pervasive and Ubiquitous Computing, Proceedings of the 2015 ACM International Symposium on Wearable Computers (UbiComp/ISWC'15 Adjunct), pp. 613–616, DOI:http://dx.doi.org/10.1145/2800835.2801674; New York, USA |
| Galina Mihaleva | “The Art of Wearable Technology” | CONTEMPART'15; Istanbul, Turkey |
| Galina Mihaleva | “Wearable Technology: Traditional Textile Techniques” | The 5th ASEAN Traditional Textiles Symposium; Chiang Mai, Thailand |
| Galina Mihaleva | “Textile and Traditions in Wearable Technology” | 2nd Singapore Heritage and Complexity Science Conference; NEC, NTU, Singapore |
| Ina Chavez | “Road to Oscars: Independent Movie Marketing” – Co-author with Sharlene Lee Chet Ling | URECA Yearbook 2014 Proceedings of the URECA@NTU 2013-14, pp. 1582–1587; Singapore |
| Ina Chavez | “Revolution in Art and Design Using 3D Printing” – Co-author with Pek Shun Ping | URECA Yearbook 2014 Proceedings of the URECA@NTU 2013-14, pp. 1566–1571; Singapore |
| Ina Chavez | “Art Publication Elysian Fields” – Co-author with Ng Cher Hiang | URECA Yearbook 2014 Proceedings of the URECA@NTU 2013-14, pp. 1552–1557; Singapore |
| Ina Chavez | “Remediated Painting – Altering Urban Spaces” – Co-author with Fun Wei Kiat Derrick | URECA Yearbook 2014 Proceedings of the URECA@NTU 2013-14, pp. 1524–1529; Singapore |
| Jesvin Yeo | “Phenomenographic Study of Visual Communication Students’ Experiences of Design Research” – Co-author with Caroline Koh and Stephanie Yen Leng Chye | Proceedings of the International Design Conference of KSDS and ADADA with Cumulus, pp. 124–129; Kwangju, South Korea |
| Jesvin Yeo | “Enhancing Design Research in Visual Communication Undergraduate Programme” – Co-author with Caroline Koh and Stephanie Yen Leng Chye | Proceedings of the 8th International Conference of Education, Research and Innovation, pp. 5812–5819; Madrid, Spain |
| Kenneth Feinstein | “Temporal Chaos: Hybrid Media as Museum Display” – Co-author with Morris, J. | Proceedings EVA Berlin, Berliner Veranstaltung der internationalen EVA-Serie: 22; Germany |
| Nanci Takeyama | “Empathy as Component of Brand Design” | LearnxDesign Third International Conference for Design Education Researchers, Vol. 2, Chapter 3, pp. 500–518; School of the Art Institute of Chicago (SAIC) |
| Vibeke Sorensen | “Sound, Media Art, and the Metaverse” | SoundIslands 2015: 2nd International Symposium on Sound and Interactivity; International Computer Music Association (ICMA – Array) Vol. 2016, Special Issue: Proceedings of Si15, pp. 5–8 |
| Woon Lam Ng | “Comparison of Chinese Calligraphy and Ink Painting Brushes with Western Water-media Painting Brushes” | Paper Ref. No : 1570081239; International Colloquium of Art and Design Education Research 2015 (i-CADER 2015); Langkawi, Malaysia |
| Yin Ker | “Bagyi Aung Soe: Strategies for an Autonomous Artistic Modernity” – Guest Speaker | Southeast Asia & Taiwan: Modernity & Postcolonial Manifestations in Visual Art; Taipei Fine Arts Museum, Taiwan |
| Yin Ker | “Space & Nothingness” – Speaker | Art Talk: Cang Xin in Conversation with Assistant Professor Yin Ker; Pearl Lam Galleries, Gillman Barracks, Singapore |
| Yin Ker | “From Santiniketan to Yangon & Beyond: Considerations on an Ashram’s Vision for a Contextualised Narrative of Modern Burmese & Southeast Asian Art” – Speaker | South-South Axes of Global Art from the Nineteenth Century to Today; Artl@s of Ecole Normale Supérieure, Paris, France |
| Books | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Cindy Wang | “In between / Dora Maar / Cat” | Garden City Publishers; ISBN 978-986-6204-97-5 |
| Cindy Wang | “TypoForm Zoo 字母動物園” | Garden City Publishers; ISBN 978-986-6204-88-3 |
| Gul Inanc | “Faith in Architecture: 50 Houses of Worship” – Editor | Ethos Books, Singapore |
| Hans-Martin Rall | “Animationsfilm.Konzept und Produktion” | UVK Verlag (University Press Konstanz), 344 pages; ISBN-13: 978-3867643764 |
| Jesvin Yeo | “Vanishing crafts” | Published by National Library Board Singapore & Basheer Graphic Books; ISBN978-981-09-4896-2 |
| Jesvin Yeo | “Vanishing materials” | Published by National Library Board Singapore & Basheer Graphic Books; ISBN978-981-09-4897-9 |
| Jesvin Yeo | “Vanishing wisdom + memory” | Published by National Library Board Singapore & Basheer Graphic Books; ISBN978-981-09-5096-5 |
| Michael Walsh | “Famagusta: Contemporary Images from an Historic City” | Kohl, P., & Walsh, M.; Datz Press |
| Michael Walsh | “City of Empires: Ottoman and British Famagusta 1571 – 1960” | Walsh, M. (Ed.); Cambridge Scholars Publishers |
| Woon Lam Ng | “A Jazz of Colors and Shapes” | ISBN 978-981-095-8992 |
| Chapters | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “A mo’ di nota introduttiva: fare l’Europa da Nord a Sud rileggendo De Amicis (1846–1908) e Tomasi di Lampedusa (1896–1957)” | Jacobucci, M. (2015). Le radici di là dal mare. Uno sguardo non convenzionale alle origini della civiltà europea, pp. 7–9, ISBN 978-88-456-1457-6; Campanotto Editore, Udine, Italy |
| Astrid Kensinger | “Between Coercion and Seduction: Participating with Machines” – Co-author with Louis-Philippe Demers | Ars Electronica’s Audience Participation: Why?; Hatje-Cantz |
| Hans-Martin Rall | “Comic als Medium für journalistisches Erzählen” – Co-author with Wibke Weber | Prinzing, M., and Wyss, V. (Eds.). Journalismus Atelier – Recherche im Netz, Die Kunst der Story. Journalismus Atelier; Zürich: Europa Verlag |
| Hans-Martin Rall | “Adapting Gothic Literature for Animation” – Co-author with Daniel Keith Jernigan | Piatti-Farnell, L. and Lee Brien, D. (Eds.). New Directions in 21st Century Gothic The Gothic Compass, London, Routledge; ISBN: 978-1-13-881061-7, http://www.sponpress.com/books/details/9781138810617/ |
| Kathrin Albers | Chapter on Stop Motion | Animationsfilm. Konzept und Produktion, by Hans Martin Rall; ISBN-13: 978-3867643764 |
| Kenneth Feinstein | “On the Use of Different Presentation Formats in an Exhibit at a Science Center to Communicate Sea Level Rise” – Co-author with Ramanathan, S. | Wilson, L. and Stevenson, C. (Eds.). Promoting Climate Change Awareness through Environmental Education, pp. 111–131; IGI Global Publishing, New York, USA |
| Louis-Philippe Demers | “Between Coercion and Seduction: Participating with Machines” – Co-author with Kensinger, A. | Ars Electronica’s Audience Participation: Why?; Hatje-Cantz |
| Lucy Davis | “Ranjang Jati The Teak Bed that Got Four Humans from Singapore to Travel to Muna Island Southeast Sulawesi (and Back Again)” – Commissioned | Springer, A., & Turpin, E. (Eds.). intercalations 3: Reverse Hallucinations in the Archipelago; K-Verlag Press, www.hkw.de/en/media/publikationen/2014_intercalations_a_paginated_exhibition.php |
| Michael Walsh | “A Silent Witness: Seismic Activity and the Structural Integrity of St. Nicholas Cathedral Famagusta” – Co-author with Cagnan, Z. | Walsh, M. (Ed.). Famagusta: City of Empires 1571 – 1960; Cambridge Scholars Publishers |
| Michael Walsh | “Introduction” | Walsh, M. (Ed.). Famagusta: City of Empires 1571 – 1960; Cambridge Scholars Publishers |
| Michael Walsh | “Visualising Famagusta: Interdisciplinary Approaches to the Study of the Orthodox Cathedral of Saint George of the Greeks in Famagusta, Cyprus” – Co-author with Norris, S., & Kaffenberger, T. | Pang, N., Liew, K. K., & Chang, B. Participatory Archives in an World of Uniquitous Media; Routledge |
| Michael Walsh | “Australia’s Great War: Contemporary and Historiographical Debates” – Co-author with Andrekos Varnava | Walsh, M., & Varnava, A. Australia and the Great War: Identity, Memory and Mythology; Melbourne University Press |
| Nanci Takeyama | “Graphic Design in Singapore” | The Encyclopaedia of Asian Design; Bloomsbury Publishing, London |
| Nanci Takeyama | “Colors and Textures in Singapore” | The Encyclopaedia of Asian Design; Bloomsbury Publishing, London |
| Nanci Takeyama | “Royal Cremation for the Raja of Peliatan, Bali” | Research Institute of Asian Design, pp. 102–109; Kobe Design University, Japan |
| Nanci Takeyama | “The Interdisciplinarity of Design in Asia” | Interdisciplinary Design Symposium, pp. 40–52; Virginia Commonwealth University Press, Doha (VCU-Q) |
| Soon-Hwa Oh | “Photography in Digital Age, and Image Based Learning” | Artist, Sensibility, and Artistic Experience in Art Education. Edited by Judith Burton & Kim Hyesook, Hakjisa Publisher, Korea. ISBN 978-89-997-0850-3 |
| Ute Meta | “Next 2015” | Bloagho, L., Bovier, L., Dirie, C., Gavillet, G., & Spiegler, M. (Eds.). Art Basel: Year 45, p. 513; JRP|Ringier, Zurich, Switzerland |
| Vibeke Sorensen | “Computers and Animation” | Giannalberto Bendazzi (Ed.). Animation: A World History, Chapter 18 Issues, Vol. 2, pp, 438–445; Focal Press: Routledge |
| Articles | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Benjamin Slater | “Tony Yeow: Dreaming The Impossible Dream” | TODAY, Singapore; http://www.todayonline.com/entertainment/movies/spore-film-maker-tony-yeow-dreaming-impossible-dream |
| Benjamin Slater | “Spies, Virgins, Pimps & Hitmen” | BiblioAsia; National Library Board, Singapore |
| Elke Reinhuber | “Counterfactuals in Photography” | Common Ground Publishing 2015; USA |
| Lucy Davis | “12 STOREY JUNGLEFOWL” – Commissioned | Meija, V. (Ed.). FEMINIST RANT; Grey Projects, Singapore |
| Michael Walsh | “Mama’s Boys, Celtus and the Troubles in Northern Ireland” | Rock Music Studies |
| Michael Walsh | “Ortaçağ Mağusa’sinda duvar resimleri, yazmalar ve çokkültürlülük” | Toplumsal Tarih |
| Michael Walsh | “Emergency Conservation of Medieval Murals in Northern Cyprus: St. Anne’s Church in Famagusta” – Co-author with Schmid, W. | NA |
| Michael Walsh | “Black, J. (Lund Humphries, 2014). C.R.W. Nevinson: The Complete Prints was published in the British Art Journal” – Review | British Art Journal |
| Nanci Takeyama | “Royal Cremation for the Raja of Peliatan, Bali” | Research Institute of Asian Design, 01; Kobe Design University, Japan |
| Randall Packer | Open Source Studio (Refereed) | IEEE Potentials, New York, USA |
| Randall Packer | “Painting with Data: A Conversation with Lev Manovich” (Non-refereed) | Furtherfield, London, UK |
| Randall Packer | “Cyberformance in the Third Space” (Non-refereed) | Furtherfield, London, UK |
| Randall Packer | “Glitch Expectations: A Conversation with Jon Cates” (Non-refereed) | Furtherfield, London, UK |
| Ruben de la Nuez | “The Riddles of the Abstract Sphinx” | Armen Agop; Art Plural Gallery, Singapore |
| Ute Meta | “META” | Matthias Michalka (Ed.). to expose, to show, to demonstrate, to inform, to offer. Artistic Practices around 1990, p. 144; Museum moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna, Austria |
| Ute Meta | “Dark Matter: The Cosmic World of Aldo Tambellini” | Mousse Magazine, pp. 260–269; Milan, Italy |
| Ute Meta | “Indirections” | Sea State, p. 30; National Arts Council, Singapore |
| Woon Lam Ng | Featured Article | The Art of Watercolour Magazine, No. 18; Publication registration: 0316 K 90760, ISSN: 2114-3498 |
| Yin Ker | “Bagyi Aung Soe: Strategies for an Autonomous Artistic Modernity” (Chinese) | Modern Art Quarterly; Taipei Fine Arts Museum, Taiwan |
| Yin Ker | “From Santiniketan to Yangon & Beyond: Considerations on an Ashram’s Vision for a Contextualised Narrative of Modern Burmese & Southeast Asian Art” | ARTL@S Bulletin, France |