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2016
Journals
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
|---|---|---|
| Andrea Nanetti | “The World as Seen from Venice (1205–1533) as a Case Study of Scalable Web-based Automatic Narratives for Interactive Global Histories” – Co-author with Cheong Siew Ann | The Asian Review of World Histories, 4(1), pp. 3–34; DOI: http://dx.doi.org/10.12773/arwh.2016.4.1.003 |
| Andrea Nanetti | “Digital Maps and Automatic Narratives for the Interactive Global Histories” – Co-author with Cheong Siew Ann and Mikhail Filippov | The Asian Review of World Histories, 4(1), pp. 83–123; DOI: http://dx.doi.org/10.12773/arwh.2016.4.1.083 |
| Andrea Nanetti | “Provenance and Validation from the Humanities to Automatic Acquisition of Semantic Knowledge and Machine Reading for News and Historical Sources Indexing/Summary” – Co-author with Lin Chin-Yew and Cheong Siew Ann | The Asian Review of World Histories, 4(1), pp. 125–132; DOI: http://dx.doi.org/10.12773/arwh.2016.4.1.125 |
| Danne Ojeda | “Book History Scholarship: Creation, Transmission of Knowledge and Archives” – Co-author with Mathiew Lommen | Visible Language. The Journal of Visual Communication Research, Volume 50 Anniversary, Issue 1; Cincinnati, USA |
| Danne Ojeda | “On the Name of Book Wrighting: Irma Boom's ‘Transformative Crossover’ Production” – Co-author with Irma Boom | The Journal of Modern Craft, Volume 9.1; Routledge, Taylor and Francis, London |
| Galina Mihaleva | “Evolution of Fashion Design in the Era of High-Tech Culture” | Vol. 10, No. 7, Paris, France; http://waset.org/archive |
| Laura Longo | “Venturing Out Safely. The Biogeography of Homo Erectus Dispersal Out of Africa” – Co-author (4th) | Journal of Human Evolution, Vol. 95, pp. 1–12; http://dx.org.doi:10.1016/j.jhevol.2016.02.005, IF: 3.733 |
| Lucy Davis | “Patriarchal Imprints; Men & Timber in Southeast Asia” – Co-author with Kevin Chua | Aloi, G. (Ed.). Antennae: The Journal of Nature in Visual Culture; UK |
| Michelle Lim | “Traces of a Corporeal Archive: Choy Ka Fai + the SoftMachine” | KAHOMA journal; Korea Association for History of Modern Art |
| Michelle Lim | “The Branding of Yang Fudong” | Journal of Curatorial Studies |
| PerMagnus Lindborg | “Personality traits bias the perceived quality of sonic environments” – Author | Applied Sciences; http://www.mdpi.com/2076-3417/6/12/405/ |
| PerMagnus Lindborg | “A taxonomy of sound sources in restaurants” – Author | Applied Acoustics; http://www.sciencedirect.com/science/article/pii/S0003682X16300652 |
| PerMagnus Lindborg | “Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance” – Author | Leonardo; MIT Press |
| Yin Ker | “Felicitous “Misalignments”: Bagyi Aung Soe’s Manaw Maheikdi Dat Painting” | Southeast of Now: Directions in Contemporary and Modern Art; Singapore |
Conference Papers
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
|---|---|---|
| Andrea Nanetti | “Athens and Koroni 2009. The Maniatakeion inception of the 'Historical Memory and Economic Development' discourse, in Cultural Heritage as Economic Value: Economic Benefits, Social Opportunities and Challenges of Cultural Heritage for Sustainable Development” | Mergos, G. and Patsavos, N. (Eds.). Positions Texts Context, pp. 68–73; Technical University of Crete Press, Chania, Greece |
| Galina Mihaleva | “Intertextuality: Tracing Meanings through Textiles” | Kuala Lumpur, Malaysia |
| Galina Mihaleva | “Wearable Installation and Human Interaction: Generative Membrane” | BEYOND | ZKM Karlsruhe, Malaysia |
| Galina Mihaleva | “Evolution of Fashion Design in the Era of High-Tech Culture” | 17th International Conference on Textile and Fashion; Paris, France |
| Galina Mihaleva | “The Designer in the Era of Wearable Technology” | The 90th Textile Institute World Conference; Poznan, Poland |
| Galina Mihaleva | “Wearable Technology: Transformations and Traditions: Technology, Knowledge & Society” | Buenos Aires, Argentina |
| Hans-Martin Rall | “Adapting Southeast Asian Art Forms for Digital Animation” – Keynote Speaker | Bucheon International Animation Festival, Asia Animation Forum 2015: The Boundless Space-Transcending the Treshold; Bucheon, Korea |
| Hans-Martin Rall | “Art-directed Watercolor Rendered Animation” – Co-author with Santiago Montesdeoca and Seah Hock Soon | Expressive Joint Symposium on CAe, SBIM and NPAR; Lisbon, Portugal |
| Ina Chavez | “Exploration of Materiality in Furniture Design” – Co-author with Pek Shun Ping | URECA Yearbook 2015 Proceedings of the URECA@NTU 2014-2015, pp. 2987–2992; Singapore |
| PerMagnus Lindborg | On spatial sonification and graduate workshop – Keynote Speaker | Volume 2 Symposium; Aalto University, School of Arts, Design and Architecture, Finland; http://volumesymposium.wordpress.com |
| Yin Ker | “Attempts at a Tenable (Hi)Story of a 20th-Century Artist Straddling Nations, Traditions & Disciplines” | Dhaka Art Summit; India |
| Yin Ker | “Documentation, Dissemination & Transmission: An Open-Access Database of Bagyi Aung Soe's Illustrations” – Speaker | Burma Studies Conference 2016; Northern Illinois University, DeKalb, USA |
| Yin Ker | “Animation for Teaching Buddhist Art History” – Speaker | 28th Society of Animation Studies Annual Conference, Nanyang Technological University, Singapore |
| Yin Ker | “Attempts at a Tenable (Hi)Story of a 20th-Century Artist Straddling Nations, Traditions & Disciplines” – Guest Speaker | Dhaka Art Summit: Critical Writing Ensemble; Bangladesh Silpakala Academy, Dhaka, India |
| Yin Ker | “‘Bagyi Aung Soe: A Memory & Estate’, Protecting the Past & Building the Future: Legacy & Estate-Building in South Asia” – Guest Speaker | Dhaka Art Summit: Critical Writing Ensemble; Bangladesh Silpakala Academy, Dhaka, India |
Books
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
|---|---|---|
| Andrea Nanetti | “At the Origins of the Venetian Sea State. Coron and Modon 1204–1209: From Peripheral Byzantine Ports to Strategic Venetian Bases [Στις απαρχές του Κράτους της Θάλασσας της Βενετίας. Κορώνη και Μεθώνη 1204–1209: Από περιφερειακά βυζαντινά λιμάνια σε βενετικές βάσεις στρατηγικής σημασίας]” | Athens: National Hellenic Research Foundation (NHRF), Institute for Historical Researchers |
| Danne Ojeda | “El sistema de bienales en Asia y el Pacífico: Una perspectiva crítica. [Asian-Pacific Mega-Exhibitions: A Critical Perspective]” (Art/Design Criticism) – Co-author with Ruben de la Nuez | Fórcola Ediciones Madrid, Spain; 88 pages |
| Kenneth Feinstein | “The Promise of Photography” | Intellect Ltd; Bristol, UK |
| Michael Walsh | “Australia and the Great War: Identity, Memory and Mythology” | Walsh, M. & Varnava, A. (Eds.); Melbourne University Press |
| Michael Walsh | “The Great War and the British Empire: Culture, Identity and Memory” | Walsh, M., & Varnava, A. (Eds.); Ashgate |
| Michael Walsh | “Prayers Long Silent: The Armenian Church of Famagusta” | Walsh, M. (Ed.); Palgrave Macmillan |
| Ruben de la Nuez | “El sistema de bienales en Asia y el Pacífico: Una perspectiva crítica [Asian-Pacific Mega-Exhibitions: A Critical Perspective]” – Co-author with Danne Ojeda | Fórcola Ediciones Madrid, Spain; 88 pages |
| Sujatha Meegama | “Connecting Temples: ‘Buddhist-Hindu’ Encounters in Sri Lanks” | Book Manuscript |
| Woon Lam Ng | “Practical Applications of Color Theory & Design Concepts” |
Chapters
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
|---|---|---|
| Andrea Nanetti | “Postfazione” – Co-author with Cao Yongkang | Giberti, M. (2016). L'avventura immobiliare dell'architetto Cosimo Morelli, pp. 325–326, ISBN 978-88-7586-479-8; Editrice La Mandragora, Imola, Italy |
| Andrea Nanetti | “Sustainable Heritage Impact Factor Theory (SHIFT). Towards a Complexity Framework for Heritage Futures: The Case of Famagusta and Its Armenian Church” – Co-author with Cheong Siew Ann | Walsh, M. J. K. (Ed.). The Armenian Church of Famagusta and the Complexity of Cypriot Heritage. Prayers Long Silent; Palgrave, UK |
| Andrea Nanetti | “The Royal Hydrographic Institute of the Italian Navy (Reale Istituto Idrografico della Marina Italiana)” | Kain, R. J. P. (Ed.). Cartography in the Nineteenth Century; The University of Chicago, USA |
| Gul Inanc | “Teaching the Heritage of ‘Others’ and Making it ‘Ours’: The Power of Cultural Heritage Education” – Co-author with Julie H. Liew | Prayers Long Silent: The Armenian Church of Famagusta and the Complexity of Cypriot Heritage; Palgrave |
| Jesvin Yeo | “Chapter 8: Designing Cultures Studio: Reversible and recyclable packaging” | Benson, E., and Perullo, Y. (2016). Design to Renourish: Sustainable Graphic Design in Practice; Burlington: Focal Press |
| Jesvin Yeo | “Exploring exchange and communication in transnational collaborative learning” | Tucker, R. (2016). Collaboration and Student Engagement in Design Education; Hershey, PA: IGI Global (In second review) |
| Kenneth Feinstein | “Temporal Chaos–An Interactive Installation for A Maritime Museum” – Co-author with Morris, J. | Nanetti, A. and Cheong, S. A. (Eds.). Complexity Heritage; World Scientific, Complexity Series, Singapore |
| Louis-Philippe Demers | “Fonction, Interpretation and Performance of Anthropocentric Machines” | Patrick Tresset's catalog |
| Louis-Philippe Demers | “The Multiple Bodies of a Machine Peformer” | Stelarc, Kroos, Erath (Eds.); Springer |
| Lucy Davis | “Animation & Animisms: Dukun dukun & DNA” – Commissioned | Aloi, G. (Ed.). Why Look At Plants; Leiden NL/Boston, USA |
| Michael Walsh | “‘The Age of Ruins’: Whatever Happened to Venetian Famagusta” | The Northern Face of Cyprus: New Studies on the Cultural Heritage in TRNC; Yapi Kredi Press |
| Michael Walsh | “Homeric Cheeses and the Breast of a Decrepit Nurse: Ruskin and Marinetti on Art and War” (Lead Essay) | Norris, N. Great War Modernism; Fairleigh Dickinson University Press |
| Sujatha Meegama | “The Local and the Global: The Multiple Visual Worlds of Sixteenth-century Ivory Carvers in Sri Lanka” | Biedermann, Z., & Strathern, A. (Eds.). Sri Lanka at Crossroads; University College London Press, London, UK |
Articles
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
|---|---|---|
| Lucy Davis | “Swee! Swee! Swee! On Bird Photography Culture in Singapore” | Tay, K., & Kang, G. (Eds.). LEFT TO RIGHT Conversations on Photography; Grey Projects, Singapore |
| Marc Gloede | “The Void in Spaces – Filmic strategies to rethink the urban fabrique” (Exhibition Newspaper) | Incomplete Urbanism; NTU CCA, Singapore |
| Michael Walsh | “Resituating and Rebranding ‘Classic Rock’ in the USA: An interview with Rickey Medlocke (Lynyrd Skynyrd)” | Rock Music Studies |
| Ruben de la Nuez | “The Relocation of Magic Realism in Virtual Reality” | ISSUE 5: Fictive Dreams; Lasalle College of the Arts, Singapore |
| Sujatha Meegama | “Praying on the Roadside: Pulleyar Worship in Contemporary Sri Lanka” | NA |
| Sujatha Meegama | “The Shrine Project: Digital Humanities and Art History” | NA |
| Sujatha Meegama | “The Global Art Histories of the Tree of Jesse: Visual Responses to Europeans Prints by Ivory Carvers in Sri Lanka and South India” | NA |
| Sujatha Meegama | “Albrecht Durer in South Asia: Meditations on Writing Global Art Histories” | NA |
| Yin Ker | “Unpacking the Legacy of an Exceptional Artist from Myanmar: Bagyi Aung Soe (1923/24–1990)” | Southeast Asia Gallery Research Reader: Southeast Asian Art from the 19th Century to Now; National Gallery, Singapore |