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2013
| Journals | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “Modone e Corone nello Stato Veneto (1207–1500 e 1685–1715). Esegesi esemplare delle fonti sulla Grecia veneziana” | Studi Veneziani, 62, pp. 15–112; ISSN: 0392-0437, http://www.libraweb.net/sommari.php?chiave=31 |
| Benjamin Slater | “Interview: Kan Lume” | Cinematheque Quarterly, Vol. 1, No. 8; National Heritage Board, Singapore, ISSN22512994 |
| Joan Kelly | “Engineering Education in the 21st Century: Creativity, Collaboration, Invention” | International Journal of Information and Education Technology, Vol. 3, No. 2 |
| Joan Kelly | “Art Production and Social Knowledge: Relationship to Development Communications” | The Journal of Development Communication, Vol. 23, No. 2 |
| Michael Walsh | “A Spectacle to the World, Both to Angels and to Men”: Multiculturalism in Medieval Famagusta, Cyprus as seen through the The Forty Martyrs of Sebaste Mural” | Journal of Eastern Mediterranean Archaeology and Heritage |
| Ute Meta | “Shifting Gravity” – Co-author with Hou Hanru | “Inside. Special Issue: World Biennale Forum No 1 - Shifting Gravity”. Yishu. Journal of Contemporary Chinese Art, Vol. 12, No. 3, pp. 7–9; Taipei: Art & Collection Group Ltd. |
| Vladimir Todorovic | “Syntboutique” | Annual Art Journal, Issue 1: Land, No. 1, pp. 86–93. ISSN: 2315-4802 |
| Conference Papers | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “Interactive Global Histories. For a New Information Environment to Increase the Understanding of Historical Processes” – Co-author with Cheong Siew Ann and Mikhail Filippov | Proceedings of the International Conference on Culture and Computing 2013, pp. 104–110, DOI: http://dx.doi.org/10.1109/CultureComputing.2013.26; Ritsumeikan University, Kyoto, Japan |
| Galina Mihaleva | “Interactive Clothing: Creative Applications of Smart Technology” | Interactive Media Seminar; NTU ADM, Singapore |
| Galina Mihaleva | “Creative Applications of Smart Technology for Wellness, Fashion and Dance” | Smart Fabrics Conference; San Francisco, USA |
| Galina Mihaleva | “Wearable Technology and Fashion” | Textile Salon; MIAT, Ghent, Belgium |
| Galina Mihaleva | “Transcendence” | Technofashion; Istanbul, Turkey |
| Galina Mihaleva | “Wearable Technology: Nama Dress” | Wearable Technologies and Design Innovations 2013: Past, Present and Future; NTU ADM, Singapore |
| Galina Mihaleva | “Intertextuality, History” | Wearable Technologies Symposium: Text-ile and Intertextuality; NTU ADM, Singapore |
| Ina Chavez | “‘Uncontainable’–Exploring Fluid and Dynamics Simulation for Creating New Media Digital Arts” – Co-author with Yew Yon Xiang Ivan | URECA Yearbook 2012 Proceedings of the URECA@NTU 2011-12, pp. 1647–1652; Singapore |
| Jeffrey Hong | “UbiRing My Bell” – Co-author (5th) | Computer and Human Interaction (CHI) |
| Jeffrey Hong | “CuePBox: An Integrated Physical and Virtual Pillbox for Patient Care” – Co-author (5th) | Computer and Human Interaction (CHI) |
| Jesvin Yeo | “A Study to Explore the Impact of Graphic Design on Political Campaigning, Focusing on Visual Communication with the Singapore Youth” – Co-author with Jane Chang Meiqi | Proceedings of the 6th International Conference of Education, research and innovation, pp. 779–788; Seville, Spain |
| Louis-Philippe Demers | “The Blind Robot” | Hannes Leopoldseder, Christine Schöpf, and Gerfried Stocker (Eds.), pp. 152–153; Hatje Cantz |
| Peggy Poo-Pun | “A case study on How Business Students Collaborate in Creative Design” – Virtual presentation, won Best in Session Award | Global Conference on Business and Finance (GCBF 2013) Proceedings, Vol. 8, No.2, pp. 33–36; San Jose, Costa Rica, ISSN 1941-9589 |
| PerMagnus Lindborg | Three articles in Proceedings | SMAC-SMC; Sweden, http://www.smc.org, http://www.speech.kth.se/smac-smc-2013/ |
| Ute Meta | “Shifting Gravity” – Co-author with Hou Hanru | Bauer, U. M., & Hou, H. (Eds.). Shifting Gravity. World Biennale Forum No 1, pp. 18–22; Gwangju Biennale Foundation, Hatje Cantz, Ostfildern, Germany |
| Ute Meta | “Architecture – Design – Infrastructure” – Co-author with Ou Ning, Hyungmin Pai, and Wang Huangsheng | Bauer, U. M., & Hou, H. (Eds.). Shifting Gravity. World Biennale Forum No 1, pp. 70–77; Gwangju Biennale Foundation, Hatje Cantz, Ostfildern, Germany |
| Vladimir Todorovic | Convener | Interactions 2; NTU ADM, Singapore |
| Books | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Cindy Wang | “XIXIXIXI 嬉習喜戲” | Garden City Publishers; ISBN 978-986-6204-55-5 |
| Cindy Wang | “Shijia Village Farmhouse Furniture” | Garden City Publishers; ISBN 978-986-6204-55-5 |
| Woon Lam Ng | “A Tale of 3 Cities” – Author | Ng Woon Lam Watercolor & Oil Painting 2013; ISBN 978-981-766-559 |
| Chapters | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Andrea Nanetti | “Modern Greek National Identity and Late Byzantium: New Evidence for the "Frankish" Tower on the Acropolis of Athens as a Case Study” | Vespignani, G. (2013). Polidoro. Studi offerti ad Antonio Carile, pp. 611–625, ISBN: 978-88-7988-985-8; Fondazione CISAM, Spoleto, Italy, http://www.cisam.org/catalog/product_info.php?products_id=832&osCsid=115f973a910897205dfb1a4f1 |
| Andrea Nanetti | “Nota introduttiva [Introductory Note]” | Manzoni, L. (2013). C come Contessina con la maiuscola, pp. 11–13, ISBN: 978-88-456-1354-2; Campanotto Editore, Udine, Italy |
| Andrea Nanetti | “Per una storia della Messenia veneziana (1207–1500 e 1685–1715)” | Baldassarra, D., & Sergio, G. (Eds.). Esperienze e attività didattiche, pp. 39–44, ISBN: 978-88-98768-06-6; Cierre Grafica, Verona, Italy |
| Benjamin Slater | “No Regrets for Singapore: The Extraordinary story of Wit’s End” – Afterword | Farkas, M. (2013). Wit’s End; Make-Do Publishing, Hong Kong, ISBN 9789881677525 |
| Danne Ojeda | “Symbol and Symptom of Cuban Post-1959 Avant-garde (Versions)” (Art Criticism) | Santana, A. I. (Ed.). We, The Infidels. Critical Narrations on Cuban Art (1993–2005) (2nd Edition); Aduana Vieja Editorial, Valencia, Spain, 1020 pages |
| Danne Ojeda | “Projects Art Rewritten: The Pragmatic of René Francisco Rodriguez” | Santana, A. I. (Ed.). We, The Infidels. Critical Narrations on Cuban Art (1993–2005) (2nd Edition); Aduana Vieja Editorial, Valencia, Spain, 1020 pages |
| Hans-Martin Rall | “Comics and Information-Graphics” | Weber, W., Burmester, M., and Tille, R. (Eds.). Interaktive Infografiken, Heidelberg; Berlin: Springer |
| Hans-Martin Rall | “Interaktive Infografiken – der Blick nach Fernost” – Co-author with Wibke Weber | Weber, W., Burmester, M., and Tille, R. (Eds.). Interaktive Infografiken, Heidelberg; Berlin: Springer |
| Hans-Martin Rall | “‘We are Journalists.’ Production Practices, Attitudes and a Case Study of the New York Times Newsroom” – Co-author with Wibke Weber | Weber, W., Burmester, M., and Tille, R. (Eds.). Interaktive Infografiken, Heidelberg; Berlin: Springer |
| Hans-Martin Rall | “Interview with New York Times Interactive Graphic Editors” | Weber, W., Burmester, M., and Tille, R. (Eds.). Interaktive Infografiken, Heidelberg; Berlin: Springer |
| Hans-Martin Rall | “Cómo comprender los gráficos interactivos: Perspectivas de la investigación en un formato periodístico [Understanding Interactive Information Graphics: Research Insights into a Journalistic Format]” – Co-author with Wibke Weber | Malofiej 20. Premios internacionales de infografía. Capítulo Español de la Society for News Design [SND-E], pp. 98–108; Navarra, Spain |
| Heitor Capuzzo | “Alguma coisa mais linda que o mundo, maior do que o mar...” | O teatro de Timochenco Wehbi, Vol. 1; Terceira Margem, São Paulo |
| Heitor Capuzzo | “Western classico: o ultimo por-do-sol” | Howard Hawks Integral, first and second revised edition; Fundacao Clovis Salgado, Belo Horizonte |
| Lucy Davis | “Together Again (Wood:Cut)” | Jalan Jati (Teak Road) by The Migrant Ecologies Project, pp. 91–136; The Royal Botanic Garden Edinburgh, 203 pages, ISBN 978-981-07-5531-7 |
| Michael Walsh | “Remembering, We Forget’: British Art at the Armistice” | The Silent Morning: Memory, Culture and the Armistice, November 1918; Manchester University Press |
| Ute Meta | “AR- artistic research” – Co-author with Thomas D. Trummer | Bauer, U. M., & Trummer, T. D. (Eds.). AR – Artistic Research; Koenig Books, London, UK |
| Ute Meta | “Re_ACT: Research-Based Artistic Practice at MIT’s Program in Art, Culture, and Technology” | Ambrožič, M., & Vettese, A. (Eds.). Art as a Thinking Process, Visual Forms of Knowledge Production, pp. 38–45; Sternberg Press, Berlin, Germany |
| Articles | ||
|---|---|---|
| Name of Faculty | Title | Organiser or Gallery or Film Festival / Source |
| Heitor Capuzzo | “A primeira vez a gente nunca esquece” | Jornal Folha de Sao Paulo; Brazil, http://censuralivre.blogfolha.uol.com.br/2013/03/18/cenas-de-infancia-heitor-capuzzo-um-macaco-travesso-e-um-pato-valente |
| Louis-Philippe Demers | “La Cour des Miracles” – Co-author with Vorn, B. | Life, Vida 1999-2012, pp. 88–89; Telefonica |
| Michael Walsh | “Returning to the Trenches” – Exhibition catalogue | Dickson, R., et. al. (Eds.). Uproar: The First Fifty Years of the London Group Ben Uri Gallery, London (November 2013 – March 2014); Lund Humphries, London |
| Soon-Hwa Oh | “Jimbo Allen”: 식민시대의 아픔, 인종적 이질감 환기시킨 짐보 | PHOTODOT |
| Soon-Hwa Oh | “Singapore Biennale”: 시민 품으로, 아시아 품은 싱가포르비엔날레 | PHOTODOT |
| Sujatha Meegama | “War and Peace: Visual Narratives from Contemporary Sri Lanka” (Exhibition Catalog) | War and Peace: Visual Narratives from Contemporary Sri Lanka |
| Vibeke Sorensen | “Illuminations” (ADM Gallery Catalog) | Publisher: Garden City Publishing, Taiwan |